Friday, March 22, 2013
Looking at the BREADTH Requirements
Take a look at these requirements and check if your work matches up to them....
Sunday, March 10, 2013
Other Ideas and Ways....
Take a look at these artists work and read over their "artists statement"....
How do you see them showing mastery of Materials and Composition?
How is their work Creative and Unique?
Do you see a clear connection between the explanation of their work, and the work itself?
JENNY MORGAN
Artist's Statement
"The figure is simply the most compelling subject matter for me, it feels natural and with the ebb and flow of my style and maturity, I find new ways to approach the portrait. It has taken me years to break through walls that were developed when I was younger- ideals about the tradition of painting and the preciousness of realism. I have reached the point where I need to play around with the paint on the canvas surface just to keep myself interested and engaged in the process. I am exploring and "messing up" my realist hand by employing different methods of disturbing the surface through sanding and glazing.The most intensely exciting portraits for me to paint as of late have been the people in my life that I know personally, but not intimately- if there is a spark of mystery to our relationship it leaves room for me to explore them on canvas. "
"Matthew Brandt creates his prints using physical elements from the subject itself. Inspired by landscape photography of the American West – especially its correlation to the methods of printing and making images during photography’s infancy in the mid-nineteenth century – the artist revives traditional photographic techniques through various production processes, including handmade papermaking and gum-bichromate. Whether soaking prints in water from the subject lake, or printing on paper that the artist made from the subject tree, or even using a pigment that the artist created from the subject (charcoal from the trees, gum-bichromate emulsion of honeybees), Brandt blurs the line between the photograph and the photographed.
For his series Lakes and Reservoirs, Brandt photographs lakes and reservoirs in the western United States, and then submerges each resulting C-print in water collected from the subject of the photograph. Prints are soaked for days or weeks or even months, and this process impacts the layers of color that comprise the image. Brandt removes the print once it reaches its desired look, which can range from mostly representational to completely abstract. The Lakes and Reservoirs series considers the current condition not only of our lakes and reservoirs, but also of traditional color photography."
"Skinner Reservoir CA 6"
C-print soaked in Skinner Reservoir water 30" x 40" 2009
How do you see them showing mastery of Materials and Composition?
How is their work Creative and Unique?
Do you see a clear connection between the explanation of their work, and the work itself?
JENNY MORGAN
Artist's Statement
"The figure is simply the most compelling subject matter for me, it feels natural and with the ebb and flow of my style and maturity, I find new ways to approach the portrait. It has taken me years to break through walls that were developed when I was younger- ideals about the tradition of painting and the preciousness of realism. I have reached the point where I need to play around with the paint on the canvas surface just to keep myself interested and engaged in the process. I am exploring and "messing up" my realist hand by employing different methods of disturbing the surface through sanding and glazing.The most intensely exciting portraits for me to paint as of late have been the people in my life that I know personally, but not intimately- if there is a spark of mystery to our relationship it leaves room for me to explore them on canvas. "
MATTHEW BRANDT
"Matthew Brandt creates his prints using physical elements from the subject itself. Inspired by landscape photography of the American West – especially its correlation to the methods of printing and making images during photography’s infancy in the mid-nineteenth century – the artist revives traditional photographic techniques through various production processes, including handmade papermaking and gum-bichromate. Whether soaking prints in water from the subject lake, or printing on paper that the artist made from the subject tree, or even using a pigment that the artist created from the subject (charcoal from the trees, gum-bichromate emulsion of honeybees), Brandt blurs the line between the photograph and the photographed.
For his series Lakes and Reservoirs, Brandt photographs lakes and reservoirs in the western United States, and then submerges each resulting C-print in water collected from the subject of the photograph. Prints are soaked for days or weeks or even months, and this process impacts the layers of color that comprise the image. Brandt removes the print once it reaches its desired look, which can range from mostly representational to completely abstract. The Lakes and Reservoirs series considers the current condition not only of our lakes and reservoirs, but also of traditional color photography."
*from :
Lakes, Trees and Honeybees
Press Release
2012
C-print soaked in Skinner Reservoir water 30" x 40" 2009
"CHCE0101" 2011, etched copper and fiberglass, 36X49 inches
Bees of Bees No. 2 (detail), 2011, Honeybees on paper (Gum Bichromate print) 43 x 73 inche
See more @ http://www.matthewbrandt.com/
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